Quantcast
Channel: Alison Martino's "Vintage Los Angeles"
Viewing all 129 articles
Browse latest View live

Memories of HAMBURGER HAMLET

$
0
0


I’m still in deep mourning over the loss of the Hamburger Hamlet on Sunset Strip. It closed its doors on December 17, 2011. I was one of the last loyal customers to walk out of those neighborhood doors that night, right alongside Nancy Sinatra and Rip Taylor. 

It was like leaving our neighborhood Regal Beagle. 


Alison Martino with Nancy Sinatra and Nancy Sr.  - Carol Cook sitting behind us
I’m still in deep mourning over the loss of the Sunset Strip location on December 17, 2011. I was there for its last day and plan on saying farewell to the Pasadena location in person on Thursday, too. I feel it’s my duty as an Angeleno because the Hamlet has been such a big part of Los Angeles culture, and since it helped shape my childhood.
Nothing pained me more then saying goodbye to the West Hollywood neighborhood hangout. It was where you bumped into celebrities and industry moguls in a casual environment, dining in darkly lit giant red leather chairs. But there was nothing casual about the clientele. Where else could you see Dean Martin sipping a martini at the bar, Lucille Ball hair spraying her red locks in the ladies room, Bette Davis chain smoking in the Tap Room, or Frank Sinatra taking a meeting with his publicist? I witnessed all of this first hand.  Even the restaurant’s hostess, actress and singer Frances Davis, who was once married to Miles Davis, would occasionally burst into song and dance while taking you to your table. I remember Francis and Diahann Carroll discussing chord progressions in the lobby. It was great eavesdropping. For me, it was also a home away from home. At times the Hamlet felt like an extended room of our house. Raised a few blocks away, I had my 10th birthday party in the main dining room, and my high school graduation dinner in the Tap Room.  After the sudden passing of my father in 2009, Hamburger Hamlet was the first place my mother and I ran for comfort.
My first sighting of Lucille Ball, and there were many of them, was seeing her walk past our table. I was eight years old and followed her to the ladies room. I found her in the bathroom stall complaining about her pantyhose! When I was 16 years old I was seated directly next to Bette Davis who was telling stories of Old Hollywood to her grandchildren smoking cig after cig. I remember running to the ladies  - room once again - to call my mother to tell her. Bette must have gone through a pack hat hour. When I was 22 I witness Frank Sinatra with his then publicist Lee Solters discussing an upcoming concert. Eavesdropping was one of the Hamlet's perks. It was just casual like that and the staff felt comfortable too. 

Speaking of ‘comfort’, let’s get to the food. I had never had a bad meal or lousy service. The legendary menu pleads, “Eat the sides I pray you.” The fried zucchini plate with that tangy dipping sauce was referred to as “zircles,” the hash browns filled with lavish sour cream were called,  “Those Potatoes,” and the signature “Marilyn Burger” was named after Marilyn owner Marilyn Lewis (not Marilyn Monroe). Their Lobster Bisque was actually known around the world. 


Zircles 


Some may remember the Hamlet’s very first location near the Whisky A GO GO. It was opened by Harry and Marilyn Lewis. Their son Adam tells me, “all people who knew Dad remember him as friendly, loving, and kind, and he was all that.”

Photo by Alison Martino

A contract player for Warner Bros in the 40s, Harry Lewis is best remembered for the movie Key Largo, which he starred in with Humphrey Bogart, Edward G Robinson, Lauren Bacall, and Claire Trevor (who won Best Supporting Actress for her role in the film). The film came out in 1948, but by 1949 the House Committee on Un-American Activities went after the movie business. Fewer films were released during that time, and the era of the studio system with contract players ended. In other words, Lewis could no longer earn a regular weekly paycheck doing what he loved, so he made another plan.

According to Adam Lewis, the idea of operating a restaurant for actors made a lot of sense to Harry. “When he met my mother, she drove that idea to reality,” he says. They spent their first date looking for a location. Marilyn was as progressive as they come, so even during the segregated 1950s and 1960s, she always hired a staff of every race and nationality imaginable. Director John Landis spoke on a recent podcast about getting a job as a teenager at the Hamlet and being the only caucasian on staff. 



The original Hamlet opened in October 1950, with a two toned hot plate, two frying pans and a five gallon stewpot for chili.


"The whole place was like somebody's den in an Eastern town. It was so comfortable and warm," recalls Lewis in Executive Magazine in 1985. She worked at the counter, cooked complicated dishes and delivered the food to customers, while her husband Harry broiled burgers, greeted people and handled the cash register. 


The eatery opened in 1950 on Sunset Strip. It offered an elevated diner menu and unpretentious seating — relatively unheard of in the city at the time — and quickly became a local institution, beloved by throngs of teenagers and Warren Beatty alike. The Hamlet would go on to become a chain with more than a dozen locations in Los Angeles and the Lewises; fashionable fixtures on the scene.


Other movie star regulars included Janet Leigh and Tony Curtis, Sammy Davis Jr. - who from time to time, performed soft-shoe routines atop the counter - Debbie Reynolds, Lana Turner, Frank Sinatra, Peggy Lee, Peter Falk, and Rosemary Clooney. 


                                                  Marilyn and Sammy

By 1955, the Lewises opened a second location in Westwood. The 50's decor had never been touched until the closed in the early 2000s. The Smithsonian should have saved it and put it on display. 

Today that location is a Taco Bell. 

The operation expanded during the 1960s, largely the result of popular demand. The Hamlets developed such a quality reputation that land lords and developers began to seek them out. 


  
                          
 The ever so stylish Marilyn Lewis 

Lewis also developed a highly successful clothing line called, "Cardinali" whose pantsuits, ruffles, swishy dresses and jumpsuits evoked a 1960’s career woman, who traded tweed trousers and suit skirts for sultry evening looks come quitting time. Marlow Thomas exclusively wore Carinali dresses on "That Girl". Other faithful customers were Polly Bergen, Nancy Reagan, Eydie Gorme, and Joan Collins. 



"That Girl", became the poster child for the brand, and it garnered fans in LA and beyond; all of whom coveted Cardinali’s reworked classics and show stopping use of texture and color.

The family sold the chain in 1987 for $33 million, then went on to open Kate Mantilini in Beverly Hills. James Lauver, who had been a waiter at the Hamburger Hamlet on Sunset since 1977, went on to work at Kate Mantilini when the Hamlet closed in 2011. “The Hamlet was like a country club without the monthly membership,” he remembers. “I waited on everyone from Danny Thomas to Florence Henderson to Mel Brooks.”

Harry Lewis died in 2013. I was very fortunate to attend his memorial service at the Academy of Motion Picture Arts and Sciences. It was quite appropriate since it was directly next-door to Kate Mantilini. And sadly, the Lewis’s had to shut down Kate Mantilini soon after due to an offensive rent increase. As far as the Sunset Strip location, two restaurants have failed in its place since. I vote for putting it back the way it was for 40 years. Don’t mess with success. 

There was one remaining Hamlet in Sherman Oaks ran by Killer Shrimp, but it wasn't the same. They closed in 2017. And there was also the failed location in Larchmont Village that would have been better off in an airport.


Nobody ran them like Marilyn Lewis who had several lives — restaurateur, fashion designer, movie producer — all of which required talent, hard work and extraordinary instinct. I was extremely fortunate to get this picture with her on closing night of Kate Mantilini.

On July 4, 2017 I spent it with three Hamlet legends: the hostess with the most-ess, Frances Davis, actress Carol Cook, (who was at the Hamlet every Sunday night), and star waiter James Lavier. And just like I told you Frances would sometimes do, here she is doing a little dance. 


By 1985 there were 22 Hamlets across the country - 17 in Los Angeles - with five new on the way. Once inside a Hamlet, customers could expect a visual of potpourri: Old theater programs, art nouveau posters and photographs; Picasso reproductions, brass marble cocktail tables, over sized red leather chairs, and hardwood floors and wood paneling. 

Dwayne Hickman, also known as Dobie Gillis, and his main squeeze strolling past the original Hamburger Hamlet on Sunset Strip between Clark and Hilldale in 1960. MPTV Images 

Hamburger Hamlet in its original location on Sunset Strip in 1966. Photo taken by Ed Ruscha for his book EVERY BUILDING ON THE SUNSET STRIP.

These photos can now be viewed on the 12 Sunsets website courtesy of Stamen Designs and Getty


 Hamburger Hamlet’s original location. Photo courtesy of Ellen Berman


Sharon Tate at the original Hamburger Hamlet on Sunset Strip

Raquel Welch and Rex Reed dancing in front of “Hamburger Hamlet” during the closing credits of the 1969 film, “Myra Breckinridge” 

A rare image of Hamburger Hamlet in Westwood Village Photo source: Westwood Historical Society.

Hollywood Blvd


                 Hamburger Hamlet, Mid-Wilshire location. 1970s. 

Albert Brooks and Kathryn Harrold at the Hamburger Hamlet location on Beverly Blvd from "Modern Romance"


           Hamburger Hamlet on Beverly Blvd. in West Hollywood circa 1978


Hamburger Hamlet in Brentwood. 1980s


Hamburger Hamlet co-founders, Harry and Marilyn Lewis at the Century Plaza in 1980.


Stylish Marilyn Lewis on the cover of Executive Magazine

Marilyn worked at the company's headquarters in Sherman Oaks. As president and CEO, she over saw the day to day operations, occasionally donning a chef's hat. 

Sunset location



The Tap Room at the Sunset location. Sigh. I can't imagine how many times I sat in this room. I can smell the Zircles just looking at this photo that I captured on closing night. 
I can still picture Frances taking us to our table. 

They should have just left the TAP ROOM as kept it as is rather then turning it into an over priced Chinese Restaurant. 


They should have just left the TAP room as is and rented out the other half as a different restaurant.


Irving Swifty Lazar's star above one of the booths. They also had one for Dean Marin and Ben Gazzara


The Beastie Boys at the Sunset Hamlet. Photo by Spike Jones 



Dean Martin photo-bombed at the Hamburger Hamlet


A painting of the Hamburger Hamlet. This hung inside the Sherman Oaks location


 Crystal City


Sherman Oaks


Menu: “Eat the sides I pray you”


                                 Pasadena Hamlet 2012

Alison Martino and host Frances Davis on closing night. 

We sadly lost Frances in 2019


 Alison and her mother Judi on closing night.


During the summer of 2018, Quentin Tarantino turned the LA streets back to the summer of 1969. His remarkable production team recreated the facade of the Hamburger Hamlet in it's original location in Westwood Village. It felt like a time machine. Today this location is a Taco Bell, but just for a few short days we stepped back in time. 

 
At least I have a a few original matchbooks, menus, ashtrays and a name tag worn by a waitress named Meghan. Along with a blank receipt,  a souvenir that hung inside the Beverly Drive location and a HH watch! Some which were generously donated to my Vintage Los Angeles archives 



 

 

Alison Martino is a writer, television producer, and pop culture historian. She founded the Facebook page Vintage Los Angeles in 2010. Alison muses on L.A’s. past and present on Twitter and Instagram.


 






Article 0

$
0
0


 The iconic Capitol Records Christmas tree


If there’s one holiday tradition that I enjoy every year, it’s spotting the historic Christmas tree that tops the iconic Capitol Records building on Vine Street in Hollywood. 

The kitschy Hollywood icon was designed by Ollsen Lighting and features 4,373 bulbs (at 25 watts each), the tree was the first of its kind, and it has been a part of the Hollywood skyline each December since 1958, except for 1973, when L.A. experienced an energy crisis.  (According to the music company, the Capitol Records switch board lit up like a wild fire that year with calls from concerned Angelenos wanting to know if the tree would ever return.)

Photo: 1958 / Vintage Los Angeles Archives

Of course, the seasonal greenery isn’t the building’s only topper. The seasonal blinking light spells out H O L L Y W O O D in Morse code and has done so every night since the building was erected. In fact, Leila Morse, Samuel Morse’ granddaughter flipped the beacon switch. It’s only been altered on rare occasions, like in 1992 to honor Capitol’s 50th anniversary, when it spelled out Happy Birthday. Good to know that SOME things never change. You can spot it for miles. A good view is also from the 101 Freeway as you enter town.

This is it's 62nd year!


In recent years, the families of Nat King Cole and Frank Sinatra “flipped the switch”. I’m forever honored to have been able to do the same - and with my favorite Capitol Crew wearing my father's vintage Capitol Records jacket from the 70's. I had always dreamed of viewing the lighting ceremony up close from the top of that roof, but never imagined being the one to pull down the switch on that extremely old ancient power box.


Here's video and of what it looked like up on the roof the second I
pulled the switch. Magical! A true Vintage LA moment.



The tree and bulbs are stored on the roof

Close to these are the controller for the Beacon light


This photo below is from 1958! Courtesy of the Capitol Vault.


 



BONUS FEATURE!

Here's a rare promotional film narrated by Tennessee Ford that shows the process of signing an artist, making a record, and selling it in 1958. It briefly features an appearance by Glen Wallichs, Capitol Records' former president and one of the original co-founders (the other co-founders were Johnny Mercer and Buddy DeSylva)

Alison Martino is a writer, on-air contributor for Spectrum News, and pop culture historian. She founded the Facebook page Vintage Los Angeles in 2010 and muses on L.A’s. past and present on Twitter and Instagram.


 

Article 0

$
0
0

Heaven, I'm in heaven...

If you grew up in Los Angeles during the 1980s, then you'll understand this shirt I wore back in the day.



Alison Martino, 1981

"Heaven" was a cutting edge, heavily branded, new wave, pop-culture novelty store located in the old Century City mall. It sold t-shirts, wacky sweatshirts, postcards, buttons, candy (my favorite were the candy dots on paper rolls), stickers, keychains, Lava lamps, toys, (Gumby was quite popular) and odd artifacts in the late '70s through early '80s. I specifically remember Elvis Presley shampoo on displayed in the window. They had the coolest 3-D glasses and pens. I had a bed filled with their red satin heart pillows and a shirt that said Bates Motel. Loved my baby blue pink "Heaven" sweatpants. But it was those t-shirts and two toned jerseys with the "Heaven" logo emblazoned in bright colors that became the big sensation, and soon stores spread all over Los Angeles and various locations across the US. These graphics were sooooo quintessential “80’s LA” and wearing a HEAVEN T-Shirt was essential at that time. Pair it up with a satin baseball jacket from Contempo Casuals and you were all set to hit Flipper's Roller Disco. 




I thought I was hot shiz whenever I frequented the store - especially when I saw the Bangles shopping for shirts. I once walked in when Elvira was signing autographs and another time I literally bumped into Jaclyn Smith in the card section. I'm surprised I never ran into the B-52's. 

I can visualize the entire store in my minds eye. Especially the south side wall of epic T’s that reached the ceiling and their clear plastic bags were just as collectible as their kooky merchandise. One time I saw someone trying on a pair of aluminum-foil space pants! The place looked like something straight out of a Devo music video.



In the late 1980s, they expanded and opened a 50s style diner in the back. The burgers were really good with cherry fountain soda pop. All of it surrounded by wall to wall novelty items. I remember Heaven being one of the first places to introduce a Karaoke machine. 


Must give props to Brad Benedict, who was the creative force behind
"Heaven", the "Bijou" which sold all cinema paraphernalia 
& "Nickelodeon" record store - all located in the old CC mall - and illustrators Jim Heimann (of Taschen fame) and Brian Zink who did the art for Heaven and also Paper Moon Graphics. I believe Linda Barton was also one of the creators behind Paper Moon. I collected those  greetings cards growing up and used to stock pile them to send to friends. The artwork totally sums up the new wave era. Bowie was my favorite. I was obsessed with the airbrush look of them. 

Heaven cards


 Paper Moon Graphics collection


I’ve kept and collected a lot of "Heaven" relics over time - but they’re hard to come by. Jim and Rick have graciously gifted me some Heaven artifacts over the years. I keep it all in a pile with my other keepsakes from "Camp Beverly Hills" and "Fiorucci" -- the trifecta of novelty stores at the time. 

Their signature shirts worn by everyone from Freddy Mercury to Divine to Sharon Stone.


Freddy Mercury


Divine


Sharon Stone
Photos by Peter Duke



Screen grab from "Roller Boogie" released in 1979

Heaven even released their own compilation LPs 
Heaven Business card


Found this original "Bijou" business card when my mother was moving. 

Advertisement for Heaven in Century City


The exterior of Heaven in Century City
Photo: Judy Muenzberg


This is the only photo I've been able to find of the inside of "Heaven" in Century City circa 1987. I just wish it were me in the photo. 

Century City during the 1980's. 
You can see the Nickelodeon record store above. 
"Heaven" was around the corner to the right 


My friend Paula Schwartz 

A sweatshirt saved by my pal Lisa Ellis

One of my Heaven shirts with the tag still attached! Courtesy of Jim Heimann

Me in my favorite shirt of all. Purple was everything to me in 1982

Heaven was heavenly



Alison Martino
 
is a writer for Los Angeles Magazine, on-air contributor for Spectrum News, and pop culture historian. She founded the Facebook page Vintage Los Angeles in 2010 and muses on L.A’s. past and present on Twitter and Instagram.





Living Across the Street From Edward G. Robinson

$
0
0

I recently found the above vintage Polaroid photo when my mom was packing up our old house. That’s Edward G. Robinson standing in his driveway, directly across the street from where we lived on Rexford Drive in Beverly Hills. My mother snapped this from my upstairs bedroom window shortly after I was born, and it’s the only photo that we have of him. We used to see Mr. Robinson walking his seven dogs with his wife, Jane, while smoking that signature cigar of his. His house was on two lots, and was built by architect Samuel Marx, who had very recently completed his own masterpiece in 1939, The May Co Department Store at Fairfax and Wilshire Blvd. Robinson’s home was a picturesque Tudor style, which the actor contemplated selling in order to build a new home that would better accommodate his growing art collection. In fact, Edward had such an extensive art collection that he commissioned Samuel Marx to build a separate art gallery on the property. It was designed specifically to show off his masterpieces. Marx convinced Robinson to stay in the house, which was then remodeled to display his collection to its fullest effect. They decided to construct a free-standing windowless art gallery. While the exterior was plain with a peaked roof, the gallery’s interior was modern to the core.



Robinson’s collecting became so widely known that his cameo appearance in a 1967 episode of “Batman” consisted of a scene in which he chatted with the Dynamic Duo about art.



Alas, Edward lost most of his great art collection during divorce proceedings from his first wife. Only a small portion remained of what was once Hollywood’s largest private collection.



Memories from my mother Judi Martino..."when my husband Al bought the Rexford house E.G. Robinson told him that he had watched our house being built and remodeled (before we bought it) and preceded to tell him that he really liked our kitchen.  It was a St. Charles kitchen which was popular at the time.

Our St. Charles Kitchen circa 1968

 Another memory: my husband had gone to Hal March's funeral with Joey Bishop and after the funeral Joey wanted to stay longer but Al needed to get back home and when Al saw Edward G. leaving Al knocked on his car window and asked for a ride home, E.G. Said "Get in the car KID " ha (Al loved to tell that story using E.G. gruffy voice!)  Unfortunately Mr. Robinson died shortly after moving there, and because of his extensive and valuable art collection there was round the clock security in front and back of his house. They also had a Beverly Hills police offer who lived in their guest house. I believe they did have an art sale in New York, but there were still many more valuable paintings left at their house and in their own art gallery. I will also remember the portrait of Mr. Robinson that hung above the living room fireplace... I've often wondered what happened to it. Jane Robinson became a good friend and it is nice to remember them".



His wife Jane was such a lovable character in her own right. I remember her great laugh. She gave me this photo of one of her poodles to hang in my bedroom in the early 70s. Today it’s one of my most prized possessions.



After Edward passed away in 1973, Jane married director George Sydney (Anchors Away, Viva Las Vegas). When Jane died, George married Corinne Entratter, a show girl from Vegas who had once been married to the president of the Sands Hotel. Corrine was another colorful character (but that’s another story entirely). She starred in Blake Edwards’ THE PARTY, and we could hear her quite often across the street stating her opinions very loudly. And speaking of parties, which she had plenty of, she had no problem telling you to leave when she had had enough. Corrine ultimately sold the house after George died, and she moved back to Las Vegas. The new owners who now occupy Edward G. Robinson’s have since severely altered the home and converted the art gallery into a 4 car garage.



Edward and his wife, Jane in their driveway during the 1950s


My mother took this photo of Edward's house from our driveway on Rexford Dr. in 1969

                                How the house appears today.

There’s not much left from the Edward G Robinson days on Rexford Dr., but I feel so fortunate to have my own masterpiece from their estate: That precious photograph of their beloved poodle.




Alison Martino is a writer, television producer, and pop culture historian. She founded the Facebook pageVintage Los Angeles in 2010. Alison muses on L.A’s. past and present on Twitter and Instagram.

The old Century City Mall

$
0
0

The old Century City Mall when it first opened in 1965

"Honey, Century City's got everything covered." That's what Tom Petty sang, and I thought so too. 


The old Century City mall entrance from Santa Monica Blvd

I practically lived at the CC mall growing up and spend countless weekends and weeknights wondering the mall. While my mom shopped for hip fashions at "Joseph Magnin", I was trying on back to school clothes at "Judy's" and "Contempo Casuals". The hours I must have spent in those dressing rooms! 

Joseph Magnin


A Vintage Kodak Instamatic snapshot of 'Judy's' boutique in Century City in 1971. I basically lived here during the 80s. 'Judy's' supplied wardrobe to Suzanne Pleshette during her years on 'Newhart' and the 'Mary Tyler Moore Show'. I've always loved that illustration of the girl in the groovy striped shirt.

The original mall had unique shops that no mall across America had. Let's start with "Heaven": The best novelty store ever. I even witnessed the Bangles in full bangles regalia purchasing T-shirt’s there in 1984. Around the corner there was a store called the "Bijou". It sold movie paraphernalia, Paper Moon Graphics and lobby cards. The even had a giant screen with satin pillows on the floor and showed everything from "Sgt Pepper's Lonely Heart's Club Band" to "Xanadu". I'm pretty sure this was where my obsession for movie memorabilia came from. There was "Nickelodeon Records" that also had a giant screen that aired MTV all day. I was there the first time "Thriller" debuted and by the end of the video, more than half the mall was cramped inside the store. Watching that was an event. 

When I was even younger I went to "Tog Toggery" toy store. I specifically remember playing in a  giant life size tree. It was over by the the stuffed animals. I don't think I ever left that store without adding a new one to my collection. There was also the Hallmark Store, the jelly belly cart and the singing flower man who serenaded shoppers for many years performing songs from his retail flower cart in front of "Joseph Magnin". I finally gave in one day and purchased his self published LP. I'm so glad I did. 

And before "Bloomingdale's" and "Macy's" department stores, we had "The Broadway"& "Bullock’s" I got my ears pierced at the Broadway and I'm pretty sure my first credit card  was from Bullock's. My dad thought the Century City Mall was actually called "The Broadway" because you could see it’s huge signage from Santa Monica Blvd. 

All of these stores, boutiques, and department stores had individuality, contemporary space age design, and unique merchandise. 

Above is a mind blowing presentation of Century City shortly after it opened. Some of this footage was filmed even earlier since it takes us through the entire duration of architect, Welton Becket’s vision of Century City after most of the old FOX lot was demolished to make way for the “future”. The Century Plaza, the Twin Towers, The ABC Entertainment Center, and of course the Century City mall. Please note how space age these sequences are. And the use of early ‘70’s SYNTH makes this trippy documentary even more memorable!

Century City during the 1980's. 
You can see the Nickelodeon record store above. 
"Heaven" was around the corner to the right. 
Photos: Vintage Los Angeles Archives

We always entered the mall from escalator 4. 

1980s. Photo by Larry Ziff


Now let's get to the eateries. We ate at the Century House quite a bit. You could practically walk directly onto that mid century roof that swooped down to the ground. 


And not too many know there was actually a "Clifton’s Cafeteria" and a "Bob's Big Boy" in the mall too. 

I used to roller skate down the ramp from the second floor that led to "Gelson's" Market which originally opened up as a "Mayfair" market. 

Pretty much all of these stores vanished by the mid 80s. 

1986

And don’t even get me started on the ABC ENTERTAINMENT CENTER around the corner that was also senselessly demolished. The new CAA building replaced the ABC Entertainment Center which had contained the Playboy Club, the Schubert Theatre, The Plitt cinema, and the sites of various surrounding restaurants including Harry's Bar, The Plaza Four, Yamato, and Senor Pico. 

Below is a series of photos taken at the old Century City mall. These magical moments all took place directly outside Judy’s and Joseph Magnin.


The Nimoy’s taking a stroll in 1969 

Tom Snyder hosting a 1970 KNBC Sunday afternoon special

                                               The famous Jelly Belly cart 

Gary Owens onstage with contestants for the ‘Most Beautiful Ape’ contest during promotion for “Conquest for the Planet of the Apes” in June 14, 1972

Joe Richards, also known as “The Singing Flower Man”.  UCLA Archives

_________________________________________________________________________________

Shops


"Judy's' employees wearing "Judy's" clothing in front of the store. 
Photo courtesy of Shaune Steele who later went on to marry radio legend, "The Read Don Steele"

Still to this day I still have a white plastic Judy's clothing hanger and bag that I've kept since the 80s. 

Mall directory in front of the Broadway.  The flower power mural for Joseph Magnin in the distance. 

During the 80s and 90s, if we weren't seeing movies in Westwood, we would be seeing them at the Plitt Theatre or Century City following a browse though Brentanos after. 

A groovy spread for LIFE of popular actresses in the spring of 1968. Love seeing those old fountains across the way from the old ABC entertainment center too. 


Sharon Tate


 Peggy Lipton 


Gayle Hunnicutt in front of the mosaic floral ties at Joseph Magnin


Christine Ferrare 

Jacqueline Bisset 

 Leigh Taylor Young

Goldie Hawn showing off hand painted decorative batik dresses & pantsuits designed by Laura Labby


Donyale Luna’s psychedelic pantsuit 

You can see footage of the old mall in a few TV shows and films mentioned below


THE GUIDE FOR THE MARRIED MAN 


 CAPRICE (staring Doris Day), 

"Conquest For the Planet Of The Apes" filmed at Century City. Most likely because of it's futuristic brutalist design. 



Mary Tyler Moore filmed at the Century City Mall for episode titled, “Bess, You Is My Daughter Now”. 

Architecture, Design & Additional History

The land was originally owned by Twentieth Century Fox, and was sold off to help the studio pay off debt caused by disaster flops such as "Cleopatra". 

Century City's masterplan centered on Ave Of the Stars. Keeping with the space age era, this blvd was a complete city within a city by architect Welton Becket. It had  all the facilities for business, living, and leisure. 

Actress Barbara Bouchet (Moneypenny in the original Casino Royale) at the newly opened Avenue of the Stars located in Century City in 1964.

Check out this remarkable piece of film footage on the The making of Century City.


Century city 1965

The mall was surrounded by the Century Towers, Century Plaza (soon to reopen again after a long renovation), and the ABC Entertainment Center (shamelessly demolished in 2004)

"The Gateway West Building, located at 1801 Avenue of the Stars in Century City, was built before all of it in 1963. It was built in the International Style and stood thirteen stories high, clad with a gold aluminum curtain facade. Gateway West was the first high-rise to be built in Century City and stood directly across from its twin, the Gateway East Building, which was erected soon after. The two buildings flanked the entrance to the Avenue of the Stars, serving as landmarks to Century City's main thoroughfare. These buildings were part of the privately funded $500 million Century City development project built on what was formerly part of the 20th Century Fox Studio lot. Gateway West has since been demolished to make room for an expansion of the Westfield. (Welton Becket is rolling in his grave)


Postcard 

Train tracks used to run though Santa Monica and traveled past Century City. The tracks hung around even after the trains shut down. This is exactly how I remember it during the 1970s and 1980s

Tragically, it looked as though the real planet of the apes really did conquer Century City. Most if the Century City mall was leveled to build a new one in 2015.  New additions and renovations can erode the character of any place, but tearing it down to the ground is like taking away a piece of our childhood.  


Visiting the new Westfield mall only made me miss the original Century City Mall so much more.  Sadly, there isn't a single trace of the previous mall except the mid century bridge that crosses Ave Of The Stars and "Gelson’s". Today every mall across America looks the same - with the SAME stores. I also miss the original mid century architecture, the 3 hour free parking, and the MUZAK delicately playing throughout the mall. Today you need headphones and a Xanax to walk through the new one. And free parking is a thing of the past. Today there’s not even a human in the ticket booth to smile at you when you leave. Just insert your ticket and your money. Yesterday, I drove into, and immediately out of, the parking lot there trying to find a parking spot near Gelson's. Plus the new mall is so confusing and noisy. I don't think I ever need to go there again. 





Article 0

$
0
0

WESTWOOD VILLAGE

Remember when Westwood Village was so crowed on weekends, they had to close off cars from entering to handle the overflow? 

It was a SCENE! 



Some of my favorite spots were Postermat, Westworld Arcade, Wherehouse Records, Insanity, Dillon’s, Alice’s Restaurant, Stratton's, Ship’s, Mario's, Stan's Donuts & Tower Records. The street fair and patio alcove was a weekend ritual. They sold everything from crystals to incense. And can you believe we actually went to see MOVIES in Westwood? Lines around the block. And let’s not forget about Bullock’s Department Store for back to school clothes and all the Hare Krishna’s! 

A business card from POSTERMAT


WESTWORLD ARCADE


I spent more time there than school..waaayyy more time. 
One of my favorite places as a kid. 
Tempest and Galaga took all my change. 



WHEREHOUSE RECORDS

Dillon's Nightclub


ALICE'S RESTAURANT


SHIPS COFFEE SHOP

I loved going to Mario’s Italian Restaurant before seeing a film. ✨🍕🎬

TOWER RECORDS in Westwood was three stories 


The patio was a total mob scene. I used to go every weekend and buy cool stuff from the street merchants: sunglasses, crystals, incense, I even got custom made sandals in the shop that was called Village Body Shop. It was the last vestige of hippie handcrafts in Los Angeles.  I remember a mood ring I wore forever until the stone fell out. 

 I would record songs in the recording place with my best friends. It was karaoke before karaoke. And you got to take home the cassette tape of you singing to the song of your choice.  
 

The Patio today

I also miss the Hamburger Hamlet which was next door to 
the Postermat. Below is a clip of Richard Gere walking past it 
in "American Gigolo"


Movie Theatres


Movie goes waiting to see a movie at the BRUIN THEATRE



"Easy Rider" at the FOX


I was too young to see "The Exorcist" at the MANN NATIONAL, but I have heard the stories of movie goers passing out. 

Newsreel Footage of audience reactions after viewing the Exorcist at the Mann National in Westwood Village in 1973. 


 

Godfather Part II at the Bruin Theatre
Photo: Jim Berstein 


"Phantom Of the Paradise" playing at the MANN NATIONAL

World premiere of "A Star Is Born" at the FOX VILLAGE, 1978


"Krush Grove" at the MANN NATIONAL


Interior staircase of the Mann National. The only motion picture theater where you had to go upstairs to the auditorium. It had a seating capacity for 12 hundred.  A bug mid century chandelier hung from the ceiling and a massive mirror was in front. This interior can be seen in the movie The Zodiac with Robert Downey Jr. 

I remember seeing Caddyshack, Raiders Of the Lost Ark, Brainstorm, Beverly Hills Cop and Ghostbusters here to name a few. 


 

The MANN NATIONAL was demolished in 2007. Thankfully its forever preserved on celluloid in the film ZODIAC


"Star Wars" at the Avco on Wilshire Blvd


"Flashdance" at the BRUIN THEATRE

"Down and Out In Beverly Hills" at the Bruin

"Nightmare On Elm Street 3" at the MANN REGENT

Ticket stub for Dirty Dancing at the MANN NATIONAL
Photo: Carey McCormick

The MANN PLAZA 
Photo Bill Koegler



Inside the historic Fox Village 

Bullock's Department Store


Today the old BULLOCK'S building is a RALPHS & BEST BUY

Stores, Boutiques & Eateries 

"A Change Of Hobbit"
"The Wine Cellar West" 1970's
Photo: Bobby Cole


"Macho's" Mexican Restaurant
Photo: Bobby Cole


"Alice's Restaurant"
Photo: Bobby Cole

"Mario's" Italian Restaurant

"Fosters"

DiStefano's 

Millers Outpost across the way


Alandale's on Westwood Blvd - 1972


Affordable Portables

Inside Old World Restaurant Westwood Village - 1984 

Westwood Comedy Store (between Massachusetts and Ohio
"Rhino Records" wasn't in the village, but south of Wilshire Blvd not far from the "All American Burger" 



"McDonald's" was a busy as the movie theatres. 
It was two stories from what I remember
Photo: Jim Berstein 1973

Laurie Kaye shares: My best friend and I worked at McDonald’s in the Village - lasted for a few months at $1.65 an hour...the best part was cool customers like Barbara Bain and Martin Landau...the worst part was when a manager had a mental breakdown and started unwrapping burgers and throwing them at the wall! Quit shortly after...


Columbo episode inside Hunter's Books 


Monty's Westwood. (after redesign)
Awesome nights there!!


In the 1980s, Brian Wilson of The Beach Boys had an office in Westwood. Back when the entire city was area code 213


Article 1

$
0
0


"OSKO'S" 

The Holy Grail Of the Disco Clubs In Los Angeles.



Back in the day Osko's Nightclub is where it ALL went down. It’s also where they shot "Thank God It's Friday" with Donna Summer performing some of her most iconic songs. I just recently scored a matchbook promoting the movie. 




Donna Summer performing at Osko's in "Thank God It's Friday"



Terri Nunn made her film debut long before she become he the lead singer of Berlin

You can watch the entire movie here

 This futuristic 1960s design was built by architect Lee Linton in 1961 was located at 161 N. La Cienega. The structure was very reminiscent of the LAX Theme building or the ticket office at Pacific Ocean Park. It appeared as though a space ship had landed at the Intersection of La Cienega and San Vicente.


It was once located next door to the "Captain’s Table" and across the way from "The Fish Shanty", near Restaurant Row. 



The Captain's Table 

A quick drive by Osko's & the Captain's Table


Later, in the 1970s, it wasn't too far from "Fatburger" - which was very convenient after a long night of partying. 

 Fatburger. You can see Osko's peeking through on the left


 Other incarnations were “the Gaslight”, & “1520 AD” which had a Henry the 8th, medieval  renaissance theme. 


It first opened as the Millionaire's Club - a private drinking club. Drapes were added to the claw and an enormous chandelier that was visible from the street. Then it became "1520 AD" which had a medieval, renaissance theme. 


1500 AD


Postcard for 1500 AD

Back in 1969, it was a psychedelic treasure called “Climax II”. It became a trippy night spot painted by the imaginative Los Angeles Fine Arts Squad. It featured a psychedelic interpretation of Siddhartha's journey toward his great Awakening. It took almost two years to complete and 200 gallons of sign-painters enamel and 12,000 to produce. Even before it was finished the Climax Club mural they drew praise from the local art world. 





There was a movie room with bean bag chairs, a disco downstairs with stalactites on the ceiling and a giant head of the devil in the corner that winked one eye. Just outside the ballroom which is where bands would play,  was a dining area where roast beed was served until 11pm. Cheech and Chong played there too. 





The group never finished this self initiated project because a club owner named Michael Hewitt lured them away with a paid commission to paint  the exterior of his club in Hollywood. The narrative followed the spiritual journey of a young man moving to Los Angeles, a city of natural beauty, artistic opportunity, and vice. Unfortunately, once the Climax Club change hands, in 1971, the new owner had a different plan for the wild structure, and the painting was white washed out. 

 Screen grab from "Clay Pigeons" released in 1969

 Less than two years later after the murals were painted, it was back to its original generic white. The process that took almost 8months! That's a lot of white paint! 



Osko's was featured for the front and back cover R&B group CQ's  "Disco Nights" released in 1979


Osko’s was the last incarnation during the height of Disco


Incredible footage of the Cave Club inside Osko's


In 1976, it was the short lived KROQ Cabaret: a crazy, decadent rock & roll club. I don't think it lasted six months, but young new bands like Van Halen, Quiet Riot, the Motels, and so many more, were regulars, just getting their start.


 David Price ran the under crowd at Osko's from 1979 - 1981


David Price and Michael Del Rey talking about Osko's on Merv Griffin


Playboy Playmate Dorothy Stratten

I remember dancing here (underage ;) during it's final days in late 80s when it had names like the Zombie Zoo, The Cathouse and White Trash A Go Go. 




An Osko's napkin - ebay score!

Sadly, this UFO like structure similar to the LAX Theme Building was demolished in early 90s. It was replaced with Loehmann’s discount department store. Today the property is owned by Rick Caruso and will eventually become a new development. Bring back the claw! 

Wouldn't be great if it ended up looking like this?


Osko's built in 3D!



What the original location currently looks like. 

Alison Martino is a writer, television producer and personality, and L.A. pop culture historian. She founded the Facebook page Vintage Los Angeles in 2010. In addition to  VLA, Martino muses on L.A’s. past and present on Twitter and Instagram and on her website, http://alisonmartino.com

Article 0

$
0
0

Alison Martino, creator of the Vintage Los Angeles online community, sits for a meal in a vintage restaurant. (Courtesy of Alison Martino)

Pop Culture Historian Preserves LA’s Past While Looking to the Future

 
February 22, 2021 Updated: February 23, 2021

Alison Martino calls herself a “DeLorean of the internet”—comparing herself to the iconic car that serves as a time machine in the movie “Back to the Future.”

The daughter of show business royalty, Martino has made it her life’s mission to preserve the pop-culture history of Southern California by creating Vintage Los Angeles, an online community with a thriving archive dedicated to documenting L.A.’s history, architecture, and show business.

“It’s like an online history book, and it’s told by the people that contribute stories every day,” Martino told The Epoch Times. “I’m documenting history online, that’s there forever.”

Martino oversees an interactive virtual experience—with more than half a million followers—that preserves the people, places, and things in her hometown. She initiates entries on Facebook, Instagram, and Twitter, then lets other members of the shared community run with it.

“My page is more storytelling. I’ll give a background on a photograph, or I’ll tell a story about a place I was at, and then I just sort of let the community take over,” she said.

On a typical day, Martino said she wakes up to thousands of notifications. One post can generate hundreds of comments from people suddenly inspired to take a trip down memory lane. They may recall a restaurant in the photo, remember visiting a specific building, or even meeting their significant others at one of the places.

“There’s always a story,” said Martino. “You’re actually hearing the stories told from the people who lived it—right there online. Someone has a direct connection to something that I posted, and that makes it really exciting.”

Always a Story

Martino—who is also a television producer, documentarian, and columnist for Los Angeles magazine—founded Vintage Los Angeles in 2010. She said her goal is to preserve the memory of the entire city of Los Angeles, not just Hollywood.

“There’s a reason I called it Vintage Los Angeles, not Vintage Hollywood. I wanted it to be more about the people who grew up here and their personal stories,” she said.

Since then, she’s become a renowned chronicler of local history—“I’ve built quite a database in my head,” she said with a laugh—but constantly learns more about the city by encouraging people to participate.

“I can Google something forever and hit a dead end,” she said. If she can’t figure out who designed a building or what years it existed, she asks the community; within 10 minutes, somebody will answer, she said, often with firsthand knowledge.

“It’s astonishing,” she said. “Someone on there is going to have the answers to what you’re looking for.”

She encourages people to dig out their old scrapbooks and photo albums, scan old pictures, and take new ones with their smartphones. She then asks questions, kick-starting conversations that can yield priceless results.

A Personal Museum

Martino has been collecting souvenirs, pictures, mementos, and memorabilia since she was 14 years old. She calls herself a hunter who digs deep for artifacts connected to old show business, pop culture, and history.

She has thousands of vintage restaurant menus, thousands of postcards, and hundreds of ashtrays. Over the course of many decades, she has amassed several thousand matchbooks—a collection she is “absolutely obsessed with.”

“I have a real affection for collecting artifacts from L.A.,” she said. “I’m a hardcore collector.”

Some of her prized possessions include an original mug used by Johnny Carson on “The Tonight Show”; a “Valley of the Dolls” soundtrack record signed by Sharon Tate, Patty Duke, and Barbara Perkins; and a Space Age stereo that General Electric presented to entertainer Sammy Davis Jr.

“I love that stereo,” Martino said, beaming. “I play it every day. It actually works.”





Vintage menus are part of Alison Martino’s collection. (Courtesy of Alison Martino)

Luckily, she has enough wall space to display her collection.

“People say, ‘Oh, I bet if I come to your house, I’m going to be stepping over things.’ Nope! Everything looks like a museum. … I present it in a way that’s almost like a museum-style, I guess.”

Though she has toyed with the idea of donating her collection for a temporary exhibit at The Hollywood Museum, she’s not quite ready to part with it.

“I want to get to a certain level where I feel satisfied. The thing about collecting is you’re never satisfied. You never have enough.”

Born Into Show Business

Martino was born in Hollywood in 1970 and spent her entire childhood in Beverly Hills—at the time a smaller, less hectic neighborhood that just happened to be populated with Hollywood legends, she said.

It wasn’t uncommon to run into Fred Astaire at the post office, or catch a glimpse of Jack Lemmon buying ice cream at Thrifty Ice Cream. She’d see Doris Day riding her bike regularly, and Natalie Wood shopping for her children at a clothing store.

“We didn’t ask for autographs. We didn’t ask for pictures. It wasn’t like, ‘Oh my gosh, I gotta get this on Instagram and get a lot of likes.’ It was different,” she said.

Martino was used to being around celebrities. Her father, Al, was considered “one of the great Italian-American pop crooners” of the ‘50s, ‘60s, and ‘70s, according to All Music critic Steve Huey.

Alison often accompanied him on tours; she said she basically grew up in nightclubs in Las Vegas, Atlantic City, and Reno, where comedians such as Don Rickles, George Carlin, Shecky Greene, and Buddy Hackett opened for her father.

“I knew all these names that are no longer with us,” she said. “I mean, Shecky is, thank God, but many of them are gone. And I like to preserve their legacy on my Vintage L.A. page by bringing them up quite often to keep their memories alive.”

Even though her father wasn’t an actor, he played a pivotal role in one of the most famous movies ever made: “The Godfather.”

According to Alison, Phyllis McGuire, a member of the pop music trio The McGuire Sisters, got hold of an early version of the movie’s screenplay while she was dating Sam Giancana, a notorious mob boss for the Chicago Outfit crime organization in the ‘50s and ‘60s. When McGuire read the script, she contacted Al Martino and said the part of Johnny Fontane—a singer based on several Italian-American crooners, including Frank Sinatra—was perfect for him.

Martino knew the film’s producer, Albert S. Ruddy; he gave him a call and nabbed the part. Alison said her father was one of the first people attached to the movie, even preceding director Francis Ford Coppola.

“Even though my dad told me this my whole life, after he passed away, I wanted it verified,” Alison said. “So I had a lunch with Bob Evans [head of Paramount Pictures from 1967 to 1974] and a lunch with Al Ruddy, who both told me the exact same story verbatim.”

She still has her father’s copy of “The Godfather” screenplay.

“That’s probably my rarest piece of memorabilia,” she said. “Plus, it’s a personal item from my family.”

Epoch Times Photo
Alison Martino (R) sits with her parents. (Courtesy of Alison Martino)

‘Architectural Nervous Breakdown’

Martino said she’s particularly drawn to color images from the ‘60s that capture buildings and cars painted psychedelic colors.

“It’s kind of fun to see how colorful the city was at one point. Now today, everything’s sort of bland,” she said.

Though Martino said she doesn’t like to “put down the city,” she’s critical of how the buildings and structures have changed aesthetically—giving extra meaning to her quest for color photos from 50 years ago.

“I feel we’re stripping away the charm and the character of what L.A. … originally had,” she said. “All the original structures are coming down, and we’re not going to recognize where we are. I don’t remember it ever being [as] bad as it is now.”

She said the redevelopment trend began when a slew of 1920s-era Spanish duplexes started coming down in the late ’70s. Since then, she’s seen brightly colored one- and two-story buildings gradually replaced by large coal-colored buildings that block out the sky.

“I always say that L.A. is suffering from an architectural nervous breakdown because we’re losing a lot of its original architecture. Charming old Spanish duplexes are being replaced with cheap concrete blocks with a lot of glass that have zero character. Some of this new development looks like communist housing,” she said.

“I understand there will always be new buildings, but they should blend in with their environment: Art Deco, Spanish Revival, something that says ‘Los Angeles.’ Why would anyone even want to visit Hollywood or Los Angeles if every vestige of its once rich, unique, and colorful history has been, or will be, destroyed? There needs to be a balance.”

She misses the quaint simplicity of courtyards, lavish landscaping, circular driveways, and fountains—hallmarks reminiscent of her youth. She’s especially fond of the futuristic work of architect Welton Beckett, who designed the Capitol Records Building, the master plan for Century City, and the Cinerama Dome, among many other iconic structures in and around L.A.

“He’d be rolling in his grave,” Martino said.

- Story by Chris Karr


The Bistro in Beverly Hills

$
0
0

No, this isn't a production still from James Cameron's TITANIC, this is the original Bistro restaurant once located in Beverly Hills. The original address was 235 Canon Drive. Today this room is the 2nd floor of Maestro’s (although it looks nothing like this now). 

The Bistro catered for to high-powered crowd thick with denizens of the film industry and high society from 1963 until 1996. The Bistro was a favorite of Billy Wilder, Groucho Marx, Debbie Reynolds, and Elizabeth Taylor to name a very selective few. 


The Bistro on Canon Drive in 1965. Photo: Robert C. Wood


My mother had her baby shower for me on the second floor event room. It was given by Karen Kramer, wife of Stanley Kramer.  And check out my grandmother in white go-go boots! 


My mother, Judi Martino at her baby shower at the Bistro with my stylish grandmother, Verna 


Karen Kramer, wife of Stanley Kramer who directed, “It’s a Mad, Mad, Mad, Mad World, her mother Dorothy and our interior decorator and friend, Janet Anderson

Judy Garland and Mark Herron leaving the Bistro in 1965. Newspapers and articles chronicling the event

One of the first events that took gave the Bistro world wide publicity is when  Judy Garland sang a few songs for Princess Margaret. According to columnist Early Wilson, she sang, "I Left My Heart In San Francisco", "Chicago", and "The Man That Got Away". Sadly, no recording is available. 


I can always tell when photos were taken at the Bistro because of their signature lattice work and wooden saloon chairs. 


The decor was originally the set for Billy Wilder's movie,"Irma La Douce". When filming was finished, he donated it all to the restaurant. Thus the name... Bistro


Farrah Fawcett


David Bowie


Groucho Marx


Robert Culp

The Bistro was highly popular with old Hollywood celebrities and music personalities and was known to throw parties for record companies, award shows, and movie studios. Also, bridal showers, weddings & receptions, bar mitzvahs, birthday & holiday parties.  It was quite a room for an event. 


Sammy Davis Jr., Dyan Cannon, and Carol Channing

Scores of residents and Hollywood types did what they could to keep the party circuit going. If it wasn't a luncheon it was a black tie dinner-dance affair. Cary Grant, Rosalind Russell, Dinah Shore, Gregory Peck would often frequent the Bistro, and James Stewart never seemed to mind sitting next to out-of-town guests sipping a "Silver Bullet" - a gin & tonic with Scotch floating on top. It was party central and 'where to be seen'. For example, shortly after Mia Farrow married Frank Sinatra they attended a party where Princess Margaret, and her husband, the Earl of Snowdon, met the elite of Hollywood. It was at that party, Mia showed off hew new short Vidal Sasoon haircut. In 1974, Debbie Reynolds was presented the "Americana Award" during a buffet dinner and Christina Onassis had her 21st birthday upstairs. But, Niklas said the greatest party that ever took place in the Garden’s private Pavilion Room was producer Jerry Perenchio’s one-year wedding anniversary bash. “He flew Pavarotti over to sing.”

Alan Alda and Roger Daltrey in conversation at the Bistro in 1974
The Bistro was one of the greatest places to see Hollywood movie stars mingling with rockstars. 


David Cassidy, Elliot Mintz and Elton John

MCA Records party for Elton John 
Mackenzie Phillips and Valerie Bertinelli at the Bistro, 1977



Xanadu launch party in 1979 

The Bistro was also recreated on a sound stage for Robert Towne & Hal Ashby’s SHAMPOO. Production was denied permission to shoot at the original location because of the restaurants tight event schedule. 



"Shampoo"



Jackie Collins was inspired by the Bistro Garden to write her 1983 novel “Hollywood Wives.” 


In 1977 the Bistro moved down the street to 176 Canon and was renamed the Bistro Garden. It closed 20 years later after scandalous rumors of an anti-Semitic insult to a patron had caused a number of customers to defect. That 'rumor' had the phones ringing off the hook. 

Owner Kurt Niklas, owner and maitre d’ Jimmy Murphy of the Bistro restaurant in Beverly Hills, 1972 (photo UCLA). Although Niklas might joke that the restaurant’s Continental fare didn’t win fancy awards, a 1986 review by former Times restaurant critic Ruth Reichl praised the “perfectly cooked” capellini, “impeccable” onion soup and “wonderful clams casino.”

Bistro fashion show, circa 1978
First floor of the original Bistro, circa 1966 (postcard)
Elliot Gould, Christopher Reeve and John Belushi
 (photo Jim McHugh)
"Three's Company" Party invitation 

The Bistro then moved to Ventura Blvd, although Niklas was not happy about Spago taking over their old location since Swifty Lazar moved his legendary Oscar parties to that same infamous address. (Lazar had held his Oscar parties years before at the original Bistro before partnering with Wolfgang Puck).  Niklas was so worried about this that he wouldn’t sell the property exclusively to Spago. Wolfgang had to turn to Michael Ovitz to help in plant a story that Creative Artists was looking to purchase the property. By the time Niklas learned the true identity of the buyer it was too late to back out of the deal. 

Swifty Lazar and Diana Ross at the Bistro Garden


Kurt Niklas died at 83 in 2009 


The Bistro on Ventura Blvd closed in 2020

Last year the Bistro on Ventura was forced to close because of the pandemic. And so it goes. More Hollywood history washed away, but not forgotten. 
 

Vintage matchbook from the Bistro with the CR prefix, circa 1965


Matchbook cover art 1970s & 1980s,  


Matchbook from the later years

My mother kept this ashtray and a bottle of water as souvenirs from her baby show. It's amazing how the water hasn't evaporated after all these years. 






Alison Martino is a writer, television producer and personality, and L.A. pop culture historian. She founded the Facebook page 
Vintage Los Angeles in 2010. In addition to CityThink and VLA, Martino muses on L.A’s. past and present on Twitter and Instagram and on her website, alisonmartino.com


Alison is also currently a columnist for Los Angeles Magazine.

The Villa Capri In Hollywood

$
0
0

The Villa Capri In Hollywood 

The Villa Capri in Hollywood PHOTO: Vintage Los Angeles Archives 

Pasquale "Patsy" D'Amore served the very first pizza pies in Los Angeles in 1939 at his first restaurant called Casa D'Amore. 

Patsy also opened up the very first pizza stand in Los Angeles located at the Farmers Market and it's still there today. 

In 1949 when Patsy (Pasquale) opened the pizzeria, a cut of pizza (otherwise known as a slice) was .20 cents.

By 1950 Patsy would opened the famed Villa Capri restaurant in Hollywood, it would become legendary, Hollywood celebrity hot spot. Frank Sinatra, Dean Martin, Lauren Becall, Jackie Gleason, Sammy Davis Jr., James Dean, Joe DiMaggio, Marilyn Monroe and other well- known Hollywood notables would frequently dine at the Villa Capri as it was well known that Frank Sinatra's was a co-owner. 


A rare Villa Capri menu signed by Frank Sinatra. 


Sinatra was often seen singing and goofing around at the piano bar with his pals, Nat King Cole, Sammy Davis Jr., Lauren Bacall and James Dean. 

Good customer and friend Lew Bracker remembers the Villa Capri in great detail, "The Villa, as they called opened in 1950, just one year after Patsy D'Amore's tremendous success with his Pizza stall at the Original Farmers Market which is still there today"


Bracker continues...."James Dean spent a lot of time at the Villa Capri. It was his haunt, his hang out, his cocoon, his inner sanctum". It’s been said he stopped in the night before his tragic death. 


The Villa Capri was a small restaurant with a bar room barely separated from the dining room, where the three walls were lined with booths and a few tables in the middle of the room. My dad actually built their first fireplace in the mid 50s when he was trying to get a record contract and Patsy would often feed him when he was broke. 



The fireplace my father built. I heard in ended up in Catalina Island somewhere 


"The food was very good but old Southern Italy Italian, but then, so were all the other Italian eateries. The Villa was far more than just another restaurant. It was an oasis in the Hollywood desert for Hollywood celebs, notably Frank Sinatra and the Rat Pack, big time song writers, actors and actresses and of course, James Dean. It was even more to Jimmy, it was his "safe house", says Bracker. "Jimmy and I always entered the Villa through a kitchen door off the parking lot. The chef, Carmine, ruled his domain like a tyrant and we were the only ones he allowed to enter that way and always gave us a big greeting, even allowing us to sample his array of appetizer goodies. The Villa was the only restaurant I was ever in that placed a 3-tiered appetizer tray on your table as you sat down.


Lew Bracker (far right) with Photographer Dennis Stock and director Terry Sanders in 1955

"Yes, tourists did find their way to the Villa", says Bracker, "but cameras were not allowed nor were autograph seekers. Your booth was your castle, especially Jimmy's. When you walked into the Villa, the bar was on your left where Baron reigned supreme. Right in front of you was the only table in the bar room.  It was long and sat eight. The table faced the door and was definitely separated from the tables in the main room. Dan Tana told me the waiters called it "Siberia."


Patsy cutting the cake. This Bon Voyage Party was given by Frank Sinatra, sending Patsy & Rose off to Italy! The photo was taken at the Villa Capri in Hollywood. And yes, that’s also James Dean and Ursula Andres. Photo courtesy of Filomena D’Amore



"The Villa was the only restaurant I was ever in that placed a 3-tiered appetizer tray on your table as you sat down", says Lew Bracker. 



Bracker continues..."It was at the Villa that important friendship were in the middle of the "Italian restaurant explosion. Jean Leon, Matty Jordan and Dan Tana were to become La Scala, Matteo's Italian Restaurant and Dan Tana's. Later, Joe Patti and La Famiglia. Also, Pepone, Guido's, and Carmine's. They can all trace their origins back to the Villa Capri. James Dean wanted to get involved with the restaurant biz too, but we all know why that didn’t happen. I will always remember, at the party for the the Restaurant's 50th Birthday party, Dan, his daughter Katerina, my daughter Lesley and I sitting in a booth, 56 years removed from our Villa Capri days. And the night at the restaurant when Dan, Katerina and my two daughters, Lesley and Alison, ate and reminisced into the evening. History eerily repeated itself again in 1974. Joe Patti, bartender at La Scala, showed me a failed, closed restaurant at 453 Canon, in Beverly Hills, a block from La Scala. This restaurant was to become La Famiglia, and like La Scala, Matteo's and Dan Tana's, a big success".


If you’d like to read more of Lew’s remarkable stories, he’s also written memoirs about his friendship with James Dean which I highly recommend called "Jimmy & Me: A Personal Memoir Of A Great Friendship: JAMES DEAN & LEW BRACKER". It is available on Amazon here.


Don the Beachcomber located in the heart of Hollywood at 1727 N. McCadden Place. You can see the Villa Capri was at the end of the block.
Photo taken by Ed Ruscha in 1974

The Villa Capri is long gone now, but Patsy's daughter still runs his historic pizzeria, "Patsy's" at the original Farmers Market on Fairfax in Los Angeles.



Alison Martino with Filomena D'Amore at Patsy's Pizza located at the Famers Market


Hope you enjoyed this "slice" of history! 




Alison Martino is a writer, television producer and personality, and L.A. pop culture historian. She founded the Facebook page 
Vintage Los Angeles in 2010. In addition to CityThink and VLA, Martino muses on L.A’s. past and present on Twitter and Instagram and on her website, alisonmartino.com


Alison is also currently a columnist for Los Angeles Magazine.







Photo David Wallace Crotty

Sunset Strip 1963

$
0
0

Take a drive down Sunset Strip in the 1963
  


Astonishing color footage of Sunset Strip starting at Horn Ave and ending at Doheny.

A few historical notes: The Melody Room became Filthy McNasty’s, The Central an is now the Viper Room. The Jerry Lewis Club became the Classic Cat, University Stereo & eventually Tower Video (demolished). The PARTY became the Whisky a Go Go, The Largo became the Roxy, The Villa Nova become the Rainbow Bar & Grill and the Hamburger Hamlet can be seen in its ORIGINAL Location. The 9000 building is under construction and Sierra Towers had not been built yet! And check out the billboard for Pacific Ocean Park and an advertisement for the premiere of The Fugitive on KABC. This is truly the next best thing to a time machine.

Footage can be licensed from GETTY IMAGES

The Comstock Hotel On Wilshire Blvd

$
0
0

The original Comstock Hotel was located at 10300 Wilshire Blvd in Westwood. It was designed by Kenneth Lind in 1956. There’s a lot of history here.... some of it is fun, some of it is tragic.... 


     Color slide courtesy of Carol Watson. 
     Black & whites taken by photographer 
     Maynard Parker in 1957


During the late 1950s until the early 1980s the Comstock was a classic mid century / contemporary design. Very reminiscent to the Standard Hotel on Sunset Strip. It almost reminded me of a mini version of the Beverly Hilton that wasn’t too far away.




In 1972, a small Italian place called “Derek’s” opened on the second floor. I believe Ed McMahon was part owner. Richard Simmons was a waiter and eventually became Maitre D’ before he became a sensation with those exercise videos. He created a unique experience with his overly ecstatic personality. He would also insult the customers in a humorous way. It was all in fun until he cut your tie off!  (He cut my fathers off once and I started to cry). 


“Derek’s” regulars were Henry Mancini, Sidney Poitier and Johnny Carson. The famous names would give Simmons extra tips, knowing that he would do something special with his life and was eventually discovered there. Los Angeles Times restaurant critic Lois Dwan, in a March 1973 piece, made reference to Maitre D’ Simmons as an “effervescent catalyst.” A Perfect prelude to describe the soon to be celebrity fitness guru. 

On a much sadder note, the Comstock Hotel was the location of actor Freddie Prinze's tragic suicide. Prinze known for his role as "Chico" in the 1970's hit show Chico and the Man shot himself on January 28, 1977 in room 216 in front of his business manager. Such a shocking and tragic story at the time. I still think of him when driving by. 

I remember the Comstock and “Derek’s” well as a kid because my parents were also regulars and would bring me along. It was there where I tried Manicotti for the first time: A favorite dish of mine until this day. I also remember a manager named Raphael??? 

In the 1980s Donald Sterling purchased the Comstock and expanded it. He sold it soon after that. It eventually became the the Beverly Hills Ritz Hotel in the 90's.  


Today it’s the Beverly Plaza Hotel. The mid century features are long gone, but it’s legacy and history lives on. 









Alison Martino is a writer, television producer and personality, and L.A. pop culture historian. She founded the Facebook page Vintage Los Angeles in 2010. 


Martino muses on L.A’s. past and present on Twitter and Instagram and also writes articles about the history of L.A for Los Angeles Magazine and appears on weekly show called the SO CAL SCENE airing on Spectrum News 1


Alison's book of unpublished photos of L.A.'s past is also currently in production. 



The Source Restaurant

$
0
0


Photo: Ed Ruscha 1972

Sometimes I walk the neighborhood looking for older structures that are still standing. In a city that likes to tear everything down, I’m forever searching for reminders of the prior century…  

I’m actually amazed the old SOURCE Restaurant is still standing. It’s now Cabo Cantina located at 8301 Sunset Blvd. It was owned by Jim Baker, who’s quirky, bohemian eatery became the originator of the spiritualized vegetarian health food craze long before tempeh, quinoa, and vegan were household names.  The SOURCE opened in 1969 at Sunset and Sweetzer serving veggie burgers and other healthy fare to hippies, musicians and counterculture types who hung out on the strip. Baker, who was a wealthy former US Marine who fought in WWII, drove a Rolls-Royce and called himself Father Yod. He had previously run the Old World and Aware Inn restaurants not too far from the SOURCE. 

The Aware In 

The Old World. (This building at Sunset and Holloway is still a restaurant today called The State)

 Baker had taken his new spot from an old biker bar called "The Strip Combers" and renamed it the SOURCE. It was an instant hit. During its peak it was grossing close to $10 thousand dollars a day!


Baker also w


As the Hell's Angels rode on, dozens of devoted hippies moved in. Father Yod was also who also fronted an experimental psychedelic rock band. 

The Source became popular with all kinds of celebrities and served “vibrationally pure” cuisine to the likes of John Lennon and Marlon Brando. My mother took me to the SOURCE a few times growing up. It’s the first time I ever remember having avocado on a sandwich on whole wheat with a side of magic mushrooms! My mother always had the "Awake Salad". 

Their old parking lot, that used to feature music billboards back in the day, is long gone. 
Photo credit: Isis Aquarian


A rare glimpse inside the Source

The Source often held outdoor concerts in their parking lot

The Source is also where Woody Allen gets dumped by Diane Keaton in “Annie Hall” while ordering a plate of alfalfa sprouts and a plate of mashed yeast! 

This scene from "Annie Hall" also shows the old Standard Hotel in the background when it was the Golden Crest

The SOURCE is also captured on celluloid in the films “Shampoo” and “Alex in Wonderland”. Three films that brilliantly capture the bohemian lifestyle of Los Angeles during the late 60s and 70s. 

Julie Christie and Goldie Hawn at the SOURCE in the 1975 film, SHAMPOO

One of the most fascinating documentaries ever made is about Jim Baker & his radical utopian way of living called THE SOURCE FAMILY. (Click here to watch in on Amazon Prime). And just like the poster says, "IT'S FAR FUCKIN' OUT!"

Baker was looked up to as a spiritual leader to a cult of gorgeous followers who all lived together and became the darlings of Sunset Strip. It’s more then just a doc on the hippie-dippy lifestyle…it’s a deep dive into the hedonistic principles of Hollywood's favorite cult leader during the sexual revolution. The entire story is a serious TRIP! Baker even committed murder in 1963, and pretty much got away with it. 

The Family lived communally under the spiritual guidance of Father Yod and Baker does get bonus 'cult leader' points for being a positive influence on his devotees, unlike other cult leaders such as Manson. Baker's tribe were young hard working, intelligent individuals who just enjoyed getting it on with their bearded loving God from time to time.  Sadly, he loses points for believing a little too strongly in his own divinity. 





And if the documentary isn't enough for you, read the book written by Family Source member, Isis Aquarian. Click here to get it on Amazon. It's a fascinating read. 


Jim Baker and Isis Aquarian who was never far from his side

5ddd72b7c92b3500089d3eee-eight.jpg
A menu from the Source, a popular Sunset Strip restaurant from the late 1960s to the '70s. (Isis Aquarian/Source Archives )

"He experimented when The Source first opened. It was kind of raw and vegan, and it really wasn't going over very well. He had to switch over to vegetarian, which was dairy. We did have about six or seven items that were cooked with rice and tofu and the tomato sauces and stuff," Aquarian says.

The revised Source menu, featuring vegetable salads, fruit salads, lentil soup, cheesecake and the "best fresh juices on the planet" (including smoothies and lemon slushies) began attracting some of L.A.'s hippest swingers. 

"There was a short renaissance period there where it really was very magical," Aquarian says.


All of these thoughts entered my mind as I walked past the old structure last night. Back in the day it seems to fit the scale of the Strip, but today it’s completely dwarfed by oversized developments. I can't begin to figure out how it has survived all these years. Although, the mystical vibe is gone, I've always been happy it's still there. 

    
CABO CANTINA 

Fortunately, I got to go to the SOURCE before it closed. It was one of the only establishments on the strip that had a huge outdoor dirt parking lot up against the Hollywood Hills. That parking lot is long gone. And from the looks of the Cantina it appears to be closed, but let's hope the structure keeps on trucking for years to come.  

Now I'm craving mashed yeast! 




Alison Martino is a writer, television producer and personality, and L.A. pop culture historian. She founded the Facebook page 
Vintage Los Angeles in 2010. 


Martino muses on L.A’s. past and present on Twitter and Instagram and also writes articles about the history of L.A for Los Angeles Magazine and appears on weekly show called the SO CAL SCENE airing on Spectrum News 1


Alison's book of unpublished photos of L.A.'s past is also currently in production. 


Article 0

$
0
0

 

Peek Inside L.A.’s Forgotten College of Striptease

 ALISON MARTINO HOLLYWOOD

The Pink Pussycat in 1967

“Fundamentals of Taking It Off.” “Psychology of Inhibitions.” “Applied Sensual Communication.” The courses I recently spotted on a student application from the 1960s could only have been taught at one place: the Pink Pussycat College of Striptease in Los Angeles. The “school,” which opened in 1961, was held at the Pink Pussycat Club, the city’s most unique burlesque theater for nearly 20 years.

              Photograph Vintage Los Angeles Archives


Harry and Alice Schiller owned the fuschia-stained joint. At night it operated like a typical strip club; dancers with clever stage names such as Fran Sinatra, Samya Davis Jr., Deena Martin, Peeler Lawford, Joanie Carson, Edie McMahon, Joie Bishop, and Reegie Philbin put on glittering shows for a packed crowd—which often included members of the Rat Pack.


 Pink Pussycat owner Alice Schiller and her dancers in 1963


The Pink Pussycat marquee as seen in the 1966 film “The Swinger”


Screen grabs from "The Swinger"


By day the venue was transformed into a college where young ladies became experts in the exotic arts, like bumping and grinding while flaunting tassels, sequins, rhinestones, and feathers. Of all the strip clubs that offered classes in its day, the Pink Pussycat undoubtedly had the most distinguished facility. Striptease artist Sally Marr served as de facto chancellor, provost, dean, and professor. She also had the distinction of being Lenny Bruce’s mother, and she sometimes persuaded her son to perform at the club.


The Pink Pussycat in 1962
Photograph courtesy Alison Martino/Vintage Los Angeles




The front and back of an original 1962 brochure advertising the School of Strip Tease at the famous Pink Pussycat club.

Photograph courtesy Alison Martino/Vintage Los Angeles

  1. Photograph courtesy Alison Martino/Vintage Los Angeles

    A 1962 brochure for the College of Strip Tease that was held at the Pink Pussycat club. A list of classes and requirements for admittance is inside. Pink feathers were attached to every application.

    Classes were taught by Sally Marr, 52 at the time, and included the following:

    1. History and Theory of the Strip Tease
    2. Psychology of Inhibitions
    3. Controlling the Structural Components of AnatomyHarry and Alice Schiller

  1. Applied Sensual Communication
  2. Elementary Bumps and Grinds
  3. Methodology of Teasing, Tantalizing, and Titillating
  4. Fundamentals of Taking-It-Off
  5. Dynamic Mammary, Navel, and Pelvic Rotation and Oscillation
  6. Experimental Workshop
  7. Advanced studies and Seminar In New Trends and Techniques of the Strip Tease






This Pink Pussycat application, which appears to be signed by Bob Hope, was listed on eBay.

Pink Pussycat matchbook
Photograph courtesy Alison Martino/Vintage Los Angeles



The Original Alice Cooper band in the parking lot of the Pink Pussycat

According to Alice Schiller, the Pussycat changed lives. “I myself am an authority on beauty and glamour,” she told The Los Angeles Times in 1967. “I’ve probably glamorized 1,000 pussycats. Twenty of my pussycats married multimillionaires. One of my girls got a $2,700 tip one night. She disappeared and we never saw her again.”


In the late ‘70s the property was turned into a gay and lesbian discotheque named
"Peanuts", which was run by Schiller’s nephew, but Club Delilah exists in the space today. Thanks to the original marquee up top, the building’s exterior looks much the same as it did when the Pussycat first opened its door—minus a few coats of signature pink paint. 


This article was also published in Los Angeles Magazine



Alison Martino is a writer, television producer, and pop culture historian. She founded the Facebook page Vintage Los Angeles in 2010. Alison muses on L.A’s. past and present on Twitter and Instagram.



8801 Sunset Strip

$
0
0

I've always been fascinated by the history of 8801 Sunset Blvd and Horn Ave. 

Here's a 100 year old time line...


In the 1920s, 8801 Sunset Blvd was a dusty old structure that sold and repaired furniture called Venetian Studios It looked like something straight out of the "Wild Wild West". 

 

In the 1930s it became Simon’s Diner





William Simon built over twenty seven drive-ins plus several regular restaurants in Southern California. Over the years, as he opened new restaurants, he would sell off drive-ins to competitors such as Dolores and Carpenters. 



Carpenters located at Sunset & Vine, 1930s


I believe the photo above was the ground floor of the Orpheum Theatre in DTLA

 

William Simon's brother was Mike Simon, who had changed his last name to Lyman, opened his own restaurants under that name, such as Mike Lyman's Grill and Mike Lyman's Flight Deck at LAX



Mike Lyman's Cocktail Lounge

 


Mike Lyman's Flight Deck

 

In 1945 Simons evolved into Dolores Diner. A beautiful Victorian structure. Very similar to the one depicted in "Mildred Pierce". In fact that looks like Mildred crossing the parking lot! 



Check out Horn Ave swooping down to Sunset Blvd. That building seen on upper right became Spago. In the 1950s, a Cuban restaurant occupied it and in 1961 it became Har-Omar. But it first started out as Cafe Gala, the very first gay bar in West Hollywood, graced with Cole Porter, Judy Garland, Cesar Romero, and where Bobby Short got his start.  After Gala it was The St. Genesius. 


Sunset & Holloway circa 1948. Dolores can be seen on the right at Sunset & Horn



During the 1950s it had a 3rd incarnation as a diner/ car hop. It became Jack’s. Look at that glorious neon. 



In 1961 it became a Budget Rent a Car. That man standing at the intersection of Sunset and Holloway could easily double for Don Draper.  



In 1964 a new front structure was built for Madman Muntz. Muntz sold car stereo systems & developed the 4-track tape cartridge, which played pre-recorded music on a continuous loop. (Photo Ed Ruscha)



You can see what was left of the original Simons diner. Muntz used it as a massive tape library and for installations. (Most of you will recognize this  as the Tower Records parking lot) 



Ann-Margret takes a break from screen-test rehearsals and dines with actor Peter Brown (of the TV Western Lawman) at Har-Omar restaurant art 1114 Horn Ave in 1961. This location later became Spago during the 1980s. The building has empty every since it moved to Beverly Hills. 



It had also been an Armenian-Russian Restaurant called Kavkaz with banquettes that faced the strip, belly dancers, etc during the mid 1960s and 1970s. 







In 1969, all of the prior structures were demolished and Tower Records built their world famous store on this spot, opening their doors in 1971. In 1974 it was mentioned in the Guinness Book Of World Records as being the biggest record store in the world. 




Below, Ed McMahon arrives at a Spago Oscar party thrown by Swifty Lazar in 1986. Love seeing Tower Records in the background and that famous parking lot.


Tower Records filed for bankruptcy and closed in 2006. Since then, the building has been occupied by temporary retail and pop up stores, followed by Gibson Guitars who held a lease until 2019. In 2016, Colin Hanks had the iconic Tower Records signage faithfully painted back for the premiere party for his documentary,  "All Things Must Pass", attended by Tower Records company founder, Russ Solomon. Since then it's remained unrented and vacant. 



It still look like this today and that makes this inner teenager happy. 

 


 

More additional trivia....


In the early 1960s, after Budget Rent A Car closed it was replaced by a 900-square-foot concrete and glass building that served as the showcase apartment for the luxury, high-rise Shoreham Towers apartment building. Shoreham Towers was constructed a half a block up Horn Avenue. The building was an exact replica of an apartment in the building, with several desks for the salespeople in the living room area. At the time, having a model apartment was a fairly new concept for an apartment building, especially an off-site model apartment. 



Shoreham Towers which has a long list of celebrity residents including David Lee Roth, Neil Sedaka, most recently Liza Minnelli. (Humphrey Bogart had lived on Horn Ave in previous years). The daughter of media personality, Art Linkletter, was a resident at Shoreham Towers. On October 4, 1969, Diane Linkletter, age twenty, jumped out the window of her sixth floor apartment at the Shoreham Towers. She died at the hospital from the injuries sustained in the fall. Her father blamed her death on her drug use, specifically LSD.




Although there is no demolition date scheduled for the old Tower Records structure, I hope what ever it becomes has a fascinating story to carry the property's legacy. I say dig Simon's back up and let's start over!!





Alison Martino is a writer, television producer, and pop culture historian. She founded the Facebook page Vintage Los Angeles in 2010. Alison muses on L.A’s. past and present on Twitter and Instagram


Article 0

$
0
0

 The Marquis Restaurant

 Once Located on Sunset Strip

Photo: George Mann, 1964 

You might remember this building at Sunset and Harper as “Carlos & Charlie’s” or “Dublin's” Irish Pub. But it was originally called the Marquis built by Los Angeles architect Robert Lee Byrd (who also built the Polanski residence on Cielo Drive in 1947) 


The charming bistro was owned by George Dolenz, the father of Monkee's drummer, Micky Dolenz. George bought the venue with partner, Tom Seward in 1957 from Paul Verlenga and spent the majority of his time there as the restaurant's "singing host”. He had previously been under contact with Howard Hughes for three years at RKO Studios.  When acting gigs became more scarce, he purchased the place so he could guarantee where his next meal was coming from. Dolenz knew a thing or two about the restaurant business having been the former manager of the Trocadero, and a former waiter at Ciro's. Both also located on the strip just west of The Marquis.


Billy Wilkerson's Cafe Trocadero night club at 8610 Sunset.


Ciro's on the left. (Now the Comedy Store)

Dolenz, born in Italy, went to great lengths to make sure they had the best spaghetti in town. As the jet age was taking off, he knew tourists would be able to to tell the difference between great food and poor quality. "People want quality, and they also want a favorite dish they recently discovered in London, Rome or Paris. This little restaurant can provide that", said Dolenz in 1960. Chef Pietro whipped out platters of his famous Zucchini Florentine, "better then Alfredo's in Rome", said Louella Parsons.


Unfortunately and tragically, George died of a sudden heart attack in 1963 while doing repairs on the roof and sadly, never got the opportunity to see his place flourish or see his son become a sensation with the Monkee's. George Dolenz was only 55. 


Micky Dolenz actually took over the lease of the Marquis and was landlord to this property for several incarnations. 

You can catch George Dolenz in tiny roles in films such as, "Vendetta" released in 1960 and "The Four Horseman Of the Apocalypse" released in 1962. He had better luck in television when he was cast as the star of the 1956 series,  "The Count Of Monte Cristo".  He also appeared on "Bonanza". 

The Marquis stayed in business until the mid 70s. It appears in an episode of The “Rockford Files” called 'Joey Blue Eyes'. 


During the 1970s and 1980s, it became the wildly popular Carlos' n Charlie's: A restaurant-discotheque. The former Marquis, was also a popular stomping ground, but in slower, pre-freeway days. When Carols' n Charlie's took it over, the location was skillfully lightened and brightened. It's nightly crowd was so jammed and packed in so tight that drinks had to be passed over heads. 


They hired a young and good looking to give off the illusion of an all night party. The food was semiserious, on the menu as moo, oink, splash, crunch, slurp, munch and zurtz. Carlos' n Charlie's also had the best tuna dip salsa and a legendary fortune teller.  


The club on the top floor was called El Privado - nick named "El Perverto". 
On occasion Joan Rivers and Ben Vareen would perform in the restaurant and Timothy Leary gave lectures as "Dr. Hip". According to prince.com, record companies and/or artists would often bring new releases to the DJ booth asking to play their records. In 1979 a young man dressed in blue jeans, button shirt and a cowboy hat came up to the window and introduced himself. It was Prince. He asked them to play, “I Wanna Be Your Lover”, which hadn't been released yet. And Mrs. Moody's drama classes mounted a full scale musical every year.

Back in the old days when Sunset Strip was teeming with traffic in 1985. The Source restaurant was still there across the Blvd. 


The long-gone building just to the east is what was called the Sunset Strip Apartments -- seen in a few films -- funky forties / fifties living. The billboard back there is for Richard Chamberlain's "King Solomon's Mines." The old building with the Fred Sands sign is here being overhauled; currently it's where the durable Sunset Trocadero club resides. The Body Shop (still there) and Carlos 'n' Charlie's (long gone). 
   Photo: Nick Faitos

Sunset Strip in 1978 Looking east near Sweetzer Ave. The Golden Crest Retirement Hotel is now the closed Standard Hotel. Carlos 'n' Charlie's, is in the distance at the corner of Harper Ave. Photo: Nick Faitos


The Sunset Strip as it looked in 1982. Photo taken on the front patio at Carney's Hotdogs. "A trip to Carney's kicked off spring break. The Stigwood building, Carlos 'n' Charlie's, the Golden Crest, and The Source, Oh My! (No chili on my hot dog was harmed in the shooting of this photo",  says Nick Faitos. (I am eternally grateful for all his personal photo archives).

And during the 1990s it transformed to an english style pub called Dublin's Irish Pub. It was known for it's amateur comedy nights. The music that piped through the sound system was a cross between classic rock and mid-'80s pop hits. Dublin's also got the Roxbury crowd from across the street (which also has colossal Sunset Strip history. It had originally been the Players Club owned by Preston Sturges. Today it is Pink Taco). 


Photo: Robert Stone 

Sadly, this gorgeous old world brick building was demolished in the early 2000's and replaced with a newer structure that looks like a bunch of tipsy white sails unfurling around popsicle sticks. The new structure was called "Sunset Beach" and it closed soon after it opened. It was a big flop. 


It has sat empty and unused to this day. 


Alison Martino is a writer, television producer, and pop culture historian. She founded the Facebook page 
Vintage Los Angeles in 2010. Alison muses on L.A’s. past and present on Twitter and Instagram

Ah Fong's

$
0
0

Ah Fong's was a weekly ritual for my family growing up. We would frequent the Beverly Drive location. It had a deep, long staircase, and as little girl my parents walked me down those steep steps. My dad used to tell me we were actually walking down to China, and I believed him!  It was my first taste of Chinese food and where I first learned to use chopsticks. 

    424 Beverly Drive

Ah Fong's had a mysterious vibe with its deep, dark, jade color interiors and dimly lit. The Sunset Blvd location did a lot of take-out to residents of Laurel Canyon, and it's where Lenny Bruce and his wife Honey used to have their late Sunday night dinners.  Errol Flynn often dined in the kitchen with the main chef. The Hollywood location stayed open until 3 am to accommodate those who worked long hours in the film industry and entertainment business. That made Ah Fong's extremely popular with the Hollywood crowd. Johnny Carson often gave away 'dinner at Ah Fong's' as prizes to members of the audience on his show. He would quip, "You'll take one bite and say, 'Ahhh, Fong!'"

At the Beverly Hills location we'd see Jack Lemmon, Danny Thomas, Robert Wagner & Natalie Wood,  Zsa Zsa Gabor, Steve Allen, Sonny Bono,  George Hamilton, to name a few I remember.... I also distinctly remember seeing Gary Coleman ordering spare ribs and being as polite as one could be. My parents would often go with Morey Amsterdam who always preferred to sit in the smaller room with booths on either sides.  We once sat directly across the way from Fred Astaire! Below is a photo of that room. 

   Los Angeles Magazine archives 



Perhaps the celebrity clientele had something to do with it being owned by actors. Ah Fong's was owned by Benson Fong and his wife, Maylia. Fong was an actor before he became a restaurateur. He had not intended to be either. His acting career began in the way they used to happen - with the wave of the magic pen of a talent scout who had found the right look for Charlie Chan's No. 2 son in the series starring Sidney Toler. Fong was randomly approached while  bagging groceries in 1943 at a supermarket in Sacramento by an executive and Paramount Pictures and asked him if he's like to appear in movies. 

Owner Benson Fong was character actor and founder of the well-known Ah Fong’s restaurants

Fong was also offered a 10 week contract for $250 dollars a week. That seemed like an extreme fortune for Fong and he accepted quickly. "First appearing onscreen in Charlie Chan at the Opera as an extra, he returned to the series and is best remembered playing Number Three Son "Tommy Chan" opposite Sidney Toler in six Charlie Chan movies between 1944 and 1946, replacing Victor Sen Yung's Number Two Son, Jimmy. He also appeared in a film called China staring Loretta Young and Alan Ladd and went on to appear in over 200 films as a character actor. Other notable films include Charlie Chan and the Secret Service,  Thirty Seconds Over Tokyo and two movies starring Agnes Moorehead Dragon Seed (1944) and The Left-Hand of God (1955). He also appeared in a Perry Mason episode called "The Case of the Caretaker's Cat" and TV's Kung Fu (1972) along side David Carradine and the reunion television movie (1986).


Benson Fong and Gloria Fong, the actress known as Maylia also appeared in the 1940s films Singapore and To the Ends of the Earth

He might have continued with only one profession if it had not been for Gregory Peck. After they completed Key's of the Kingdom, Peck's first role, he suggested they start a restaurant. Fong acted on the suggestion, although he decided not to risk his friend's newly earned money, and opened the first Ah Fong's on Vine St., where all the action was in 1946. 


Dick Powell,  Benson Fong and his wife, Maylia at Ah Fong's first location 

In 1950 he moved to Sunset Blvd & Laurel and opened locations in Beverly Hills in 1953, Encino in 1963, and just before Christmas, he opened a fourth location in Anaheim. 

Photo taken from Ed Ruscha's 1966 self-published book Every Building On the Sunset Strip.

Sunset and Laurel in the 1970s. Back when Greenblatts was on the corner where the Laugh Factory is today. When this location closed, Greenblatt's moved in. (Sadly, we lost Greenblatt's too recently)


Ah Fong's in Beverly Hills. 

The 'Ah' in Ah Fong's is a term out of respect in Chinese. Fong came up with the name while looking at a wrapper of an Oh Henry candy-bar, which is sort of a mixed up clue as to why the Ah Fong's are different from most of the Chinese restaurants. 

Benson Fong was one of the first to realize that the way of life in Los Angeles was to be elegant casual, but his restaurants were not formal. They were somewhat Cantonese, somewhat Polynesian, but mostly what one would expect from a smart young American-born Chinese actor, who wanted a place where his working friends could relax and be comfortable -bearing in mind that these were not ordinary run of working friends. 


The Menu was a listing of Cantonese dishes such as Shew muy, Beef Su Chow, Dim Sum, and Penang fried rice, which was served with nine different vegetables, water chestnuts, pine nuts, and sweet raisins which all added up to an exceptional dish. The Pork Ah Fong, (a personal favorite), was sliced extra thin. I remember it tasted extra crispy around the edges. I would dip it in a wild plum sauce. They also had two egg dishes I loved: Yangchow Eggs, basically strips of barbecued pork, assorted veggies, mixed into an egg mixture and cooked in a bowl which was inverted onto a plate. Drizzled with hoisin sauce....yum! Cashew Eggs was the same, topped with cashews.And who could forget the fried wantons served the second you sat down. Too bad I wasn't old enough to consume a Mai tai, but a Shirley Temple went just fine with Shrimp Foo Yung! Damn, I miss that food. 

Check out a scan of their menu below from the Vintage Los Angeles archives. At this very moment I'm craving their Beef Soo Chow! 



 
Mr. Fong appeared in Season Eight's "Samantha's Witchcraft Blows a Fuse" as Mr. Fong. 




Vintage Los Angeles collection

Benson Fong retired in 1985 and passed away in 1987 at Cedars-Sinai Medical Center after suffering from a stroke. I believe all four Ah Fong's locations closed soon after. But those stairs I spoke of are STILL intact! The Beverly Drive location is now a private gentleman's club, but I opened their private doors quickly to capture this picture! 


Nice to know these stairs are still intact! A Vintage Los Angeles ancient Chinese secret!


Alison Martino is a writer, television producer, and pop culture historian. She founded the Facebook page 
Vintage Los Angeles in 2010. Alison muses on L.A’s. past and present on Twitter and Instagram






History of 8004 Sunset Blvd

$
0
0


Los Angeles gangster, Micky Cohen’s Cohen controlled this portion of Sunset Strip at Sunset & Holloway during the 1940s. He installed three of his legit businesses in the building’s street-level storefronts: "Michael’s", "Haberdashery", and "Courtley Jewelers"— a decade earlier, Club Bali occupied the storefront. 


Mickey Cohen calls it QUITS at his Haberdashery in 1949.



In the 50s and early 60s 8004 Sunset Blvd was another mens clothing store called MAN ABOUT TOWN & and then a wig shop called THE HARUM. Notice that the ad for MAN ABOUT TOWN mentions they are one block away from the Jerry Lewis Restaurant (which later became the Classic Cat Strip Club, University Stereo, and Tower Video. That building hung on until it was was demolished in 2014 for a new Chase Bank building) 



4th photo: During the late 60s it became the Psychedelic Conspiracy. (The Corner Pocket Pool Hall was next store). It was the most impressive and genuinely
psychedelic of all the shops in Los Angeles. The dazzling effect of the store was achieved by a silver ceiling that reflected light from a complicated deployment of colored lamps above, below and inside some large translucent plastic sculptures made by the then-owner of the shop, Tony Melendy. People would have to adjust his their eyes to the lights & their and sinuses to the thick haze of incense. 





5th photo: In the late 1986 all the store fronts were taken down to built offices for Carolco Pictures. The address then became 8500. Jose Menendez was working for Carolco Pictures when his two sons, Lyle & Erik Menendez murdered him and his wife Kitty in 1989.



Last photo: Today it’s the IAC Building, which kinda looks like a giant Chia Pet. 




Things sure have changed

Kelbo's Hawaiian Restaurant

$
0
0

Remembering KELBO’S!



 The very first KELBO'S location opened at 11434 West Pico Blvd in 1965. A second location opened on Fairfax across from Television City. There were also locations in Inglewood and the Brentwood Country Mart. The two owners Thomas Kelly and Jack Bouck combined the two syllables of their last names and came up with KELBO'S. 


It was described as "Modern Hawaiian". Exotic Polynesian artifacts decorated the walls and ceilings with numerous aquariums throughout giving customers the feel of dining in a real lagoon. The decor was designed by a gentleman named Eli Hedley - who was also responsible for other tiki themed restaurants such as "Don The Beachcomber". Others described it as a "poor man's Luau". I disagree. 


At one point KELBO’S had 75 tropical lanterns and light fixtures hanging from above. Some of them in the shape of pineapples, most of them hanging from nets. But, it was never, EVER bright. They had backlit display of the fancy drinks in the booths making it impossible to miss the row of skull mugs. 

KELBO'S was of the best examples of tiki architecture and one of the first to introduce Hawaiian cuisine (they did not sell it as Polynesian). Prices were reasonable and there was plenty of free parking adjoining at both. Sigh… 

                            photo source https://mytiki.life/tiki-bars/kelbos-1


KELBO'S MENU


Both locations were a favorite destination for Andy Griffith, Don Knotts and Jack Webb. I remember seeing Tony Randell sitting with Aaron Spelling once in 1993 at the West LA location. 

                 Photo source https://mytiki.life/tiki-bars/kelbos-1

During the 1970s and '80's KELBO’S featured authentic recorded big band music of the 1930s and and 1940s. Their General manager at the time was Sonny Heideman, a famed trumpeter of "the big band days." Everyone danced late until the waitresses came around asking everyone to stop because Sonny was going to bed. He actually lived above the Coco Bowl! 

Bob Hale, who did the Kelbo's mural, was the weatherman on KNBC's local weekday evening news, after being fired by a Seattle station. He'd quickly draw cartoons illustrating each forecast. This was in the early '70s. (If I recall correctly, he was replaced by Kelly Lange). This mural stayed intact some time after the west LA location closed. Hale also illustrated the menus for Paco's Tacos.

This was one of KELBO'S Windows

I frequented the one on Pico in the 90s many times. It was such a popular place to go to on weekends. They had great DJs on Saturday nights (one called 'Warren the Geeky DJ), and on other occasions late night jams. 

But, ALL I really remember was having one of those blue drinks....the next thing I knew I was in San Diego with one windshield wiper missing! The place was dark as hell, so all I could see were porcupine fish eyes staring down from the ceiling tangled in nautical gear.  It was Heaven. 


I also specifically remember the King Kelbo Slim Liner salad dressing. I think they even sold it there. I don'r recall purchasing it. but I did swipe an ashtray that I still have and love.


Kelbo's was a bit west down the street from "Billingsley's" and just east of Gateway where the tracks crossed Pico at an angle. If you headed west from Sawtelle, it would be on your left if if they hadn't torn it all down including the lighthouse. It was replaced with "Fantasy Isand". 


Memories such as these remind me of other tiki & nautical styled classics no longer with us such as the 'Luau", "Trader Vic's, "The Islander", the "Tahitian", "Alan Hale's Lobster Barrel",  the "Captains Table", and even the "Fish Shanty". Even the old "Corkscrew" in Brentwood comes to mind. 



The Luau
was located on Rodeo Drive owned by Steve Crane. Formally "The Tropics". You had to walk over a bridge to enter. Hard to imagine this on Rodeo Drive today because  Rodeo Drive has something against anything Kitschy these days. 

                                Alison Martino at the Luau  / Vintage Los Angeles Archives

I celebrated by very first birthday at the Luau in 1971. Luckily my mother captured this snap shot. Ever since I have wanted a huger over sized wicker chair. 


WHO TEARS THIS DOWN????

Trader Vic's was located in the Beverly Hilton since the 1950s. In 2001 it was demoted an moved to the pool area. It was never the same. Tragically, the original was demolished for a Waldorf Astoria. 


At the Trader Vic's the day they closed. 


The Islander. Located on La Cienega and surrounded by a moat and bridges. At night you could see the giant tiki torches a mile away. It was terribly altered in the 1970s for an Acapulco Restaurant. Today it's a hideous looking apartment building. 



The Tahitian  located in Studio City. 




Alan Hale's Lobster Barrel located on La Cienega between Melrose Ave & Santa Monica Blvd



Vintage Los Angeles Archives

The Captain's Table had two incarnations. This one wasn't that far from the Lobster Barrel just south of Xavier Cugat's restaurant. In the late 60s it moved just below Beverly Park on Restaurant Row. 




The Fish Shanty
was located on Restaurant Row. You entered through a whale's mouth made out of blue mid century tiles and glass (sadly, it burned down)

Vintage Los Angeles Archives


The Corkscrew
located in Brentwood. I kept this menu when I was 10 years old. I found it recently. 
I had a laugh when I turned it over. I see I drew my dad on the back!

It's time for themed restaurants to make a comeback. Stick an umbrella in anything right now and I'm happy!



Alison Martino is a writer, television producer, and pop culture historian. She founded the Facebook page Vintage Los Angeles in 2010. Alison muses on L.A’s. past and present on Twitter and Instagram





Pacific Red Cars & The Pacific Design Center.

$
0
0

These are Pacific Red Car trains running through West Hollywood in 1953 at San Vicente & Melrose. It was called the Sherman Yard. It’s where trains were stored during maintenance. 




The late, lamented watering hole J. Sloane's opened for business here around 1915. Raymond Chandler described this area in his early short story “Pearls Are a Nuisance”.


Today this location is the Pacific Design center. It opened in 1975, and was quite controversial....It was nicknamed 'The Blue Whale' because of its size and because there were no obvious windows, though the people inside can look out. The 'Blue Whale' name has stuck for those of us who have been around since the infancy of this structure. 








For those who were around then, you might remember that one small business who wouldn’t vacate during construction and the complex had to be built AROUND it. His name was Hugo, and he would NOT sell his little planting business or his property to the largest interior design showplace in the West. He must have been in shock when they went forward with their plans to build the big ‘Blue Whale’ AROUND his little shack. Gotta love that guy for being stubborn. The PDC put trees all around his business to try and hide it, but we ALL knew it was there!:-) See last photo. He eventually vacated several years later. 



Story by Alison Martino from Vintage Los Angeles  

Viewing all 129 articles
Browse latest View live